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- <text>
- <title>
- (1980) Show Business & Television
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1980 Highlights
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- January 5, 1981
- SHOW BUSINESS & TELEVISION
- MOST OF '80
- </hdr>
- <body>
- <p>Journey Through an Unknown Land
- </p>
- <p>The Shock of the New PBS, beginning Jan. 11, 8 p.m., E.S.T.
- </p>
- <p> Even today, many decades after they were unveiled before an
- uncomprehending world, the early works of the modernists regain
- the power to startle. Picasso's cubist women stare out from the
- canvas with the faces of monsters in Les Demoiselles d'Avignon;
- Le Corbusier's Villa Savoye belongs more to tomorrow than today,
- as it has for the past half-century. Jackson Pollock is still
- a puzzle to many people, who appreciate only the fancy prices
- his paintings now fetch. That lack of understanding is what
- makes this eight-part BBC series on 20th century art so
- valuable: it does not tell us where we are going, but it does
- tell us where we have been.
- </p>
- <p> The series begins and ends in Paris: The Eiffel Tower (1889),
- that "static totem of the cult of dynamism," as Host Robert
- Hughes calls it, is a symbol of the ebullient optimism that
- ushered in the new age of machine worship. The Beaubourg Center
- (1977), which looks like a trite and showy illustration from a
- science fiction magazine, becomes a symbol of the decline of
- that exhausted era. In between is a terra incognita that we may
- think we know--the art of the 20th century.
- </p>
- <p> Hughes, who also was the writer of the series, is as good a
- guide through that rough country as Kenneth Clark was through
- earlier centuries in Civilization, after which The Shock of the
- New is patterned. But whereas Clark reflected an older, more
- urbane sensibility, Hughes, 42, is a brash and electric as his
- subject. He is sometimes seen in shirtsleeves; his blond hair
- is always unruly. Instead of Clark's patrician, High Church
- accent, Hughes speaks in a matey, sometimes too hearty
- Australian that lapses easily--and quite appropriately--into
- slang. Talking about Chicago's pioneering building developers,
- for instance, he says that their policy was to "grab the block,
- screw the neighbors."
- </p>
- <p> What makes the program interesting, however, is not Hughes'
- manner but his arresting ideas. He brings a fresh eye to
- familiar scenes. Placing two cubist paintings by Picasso and
- Braque side by side, for example, he shows that they are almost
- indistinguishable. At that point in their careers, the two men
- were so alike that "they could have been Siamese twins." The
- medium of television allows him to juxtapose paintings and the
- real-life images from which they were so clearly derived--automobiles, planes, locomotives, almost anything that meant
- speed and modernity. Old films and current interviews also
- add fascinating insights, giving Hughes' series one advantage
- over Clark's. Botticelli could not be filmed in his studio;
- indeed, no one even knows what he looked like.
- </p>
- <p> Hughes, who is TIME's art critic, makes a confident,
- opinionated guide. Some of his greatest scorn is directed at
- modern architecture. Though he praises L.E. Corbusier as an
- inventor of shapes, he showers contempt upon his most famous
- projects: Chandigarh, the Indian city built at the foot of the
- Himalayas, and the Unite d'Habitation, the huge apartment house
- outside Marseille. Hughes visits the Marseille building and stops
- in the shopping mall that Corbu put inside. It is empty. The
- French like the bustle of a real marketplace. Corbusier, says
- Hughes, thought of everything but the people who had to live
- in his creations.
- </p>
- <p> There is also a visit to a Berlin museum so that Hughes can
- sit--or attempt to sit--in Gerrit Rietveld's beautiful,
- Mondrian-inspired chair. Like Corbusier, Rietveld designed for
- himself alone, however. The bottom that was supposed to settle
- in that lovely wooden chair, complains Hughes, "is one of those
- platonic solids existing somewhere out in the ether in a world
- of ideal form never made flesh."
- </p>
- <p> Throughout his sweeping survey of the century, Hughes is
- affectionate but ironic, intolerant of the hokum he sees behind
- so many famous names. In collaboration with Producer Lorna
- Pegram, he has created a small work of art himself, giving PBS,
- which is presenting the series, a fine start to the new year.
- </p>
- <p>-- By Gerald Clarke
- </p>
- <p>THE MOST OF 1980
- </p>
- <p>Loudest Shot: The shooting of Dallas' J.R. Ewing, which
- prompted three-quarters of the globe to ask "Who dunit?"
- </p>
- <p>Fastest Comeback: CBS, which defied all predictions and took
- the No. 1 spot in the ratings back from ABC, which had grabbed
- the title in 1976.
- </p>
- <p>Biggest Sushi: NBC's Shogun, which ranked just behind Roots
- (1977) as the highest-rating mini-series of all time.
- </p>
- <p>Biggest Bomb: Michael Cimino's Heaven's Gate, which cost $36
- million but was pulled back from distribution after some very
- unheavenly reviews.
- </p>
- <p>Second Biggest Bomb: Sir Lew Grade's Raise the Titanic!, which
- could scarcely raise the curtain, let alone a paying audience.
- </p>
- <p>Worlds Least Likely to Be Remembered: NBC President Fred
- Silverman's statement July a year ago, that if he could not
- raise ratings significantly by Christmas 1980, someone else
- should be given "a shot at this job." As of last week, NBC was
- a distant third in the ratings, further behind, in fact, than
- it was last Christmas and the Christmas before.
- </p>
- <p>Most Sadistic Show: ABC's That's Incredible, which, in the
- search for thrills and ratings, has caused one man nearly to
- lose a foot, another to burn his fingers to stumps, and a third
- to suffer several fractures and a ruptured aorta.
- </p>
- <p>Biggest Omission: NBC's coverage of the Moscow Summer Olympics,
- all 152 hours of which were canceled after the U.S. withdrew
- from the Games to protest the Soviet invasion of Afghanistan.
- </p>
- <p>Oddest Couple: Tom Snyder and Rona Barrett, who got along so
- famously as co-hosts of NBC's Tomorrow that Miss Rona finally
- walked out in a huff.
- </p>
- <p>Saddest Moment: The senseless murder of John Lennon by a fan,
- which silenced one of the most brilliant music makers of the
- century.</p>
-
- </body>
- </article>
- </text>
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